A powerful play exploring British colonialism in southern Africa and the use of Christianity for cultural disruption.
Set in 1896 Rhodesia, a young girl whose father has passed away is to be traded, by her uncle, to an older man with ten wives in exchange for a number of goats. She escapes this forced marriage by taking refuge in the home of an African teacher in the Catholic church. In exchange, she is given a new name, forbidden to practice her traditional beliefs, required to wear clothing of the colonizers, and, eventually, is cut off from her family to prove her Christian faith. As tensions in the surrounding villages grow, THE CONVERT explores the struggle between tribal customs and the ways of the British settlers, between traditional African beliefs and the Christianity brought by the colonizers. Resistance could mean death.
UPDATE MARCH 13, 2020
- If you are ill, or experiencing symptoms such as fever, cough, etc., we ask that you stay home and take care of yourself;
- If you attend, we ask that you observe the precautions for safety of your health and others (please wash your hands frequently, use tissues or a sleeve for coughing and sneezing, etc.);
- When you attend the theatre, please space yourselves throughout the space to give as much space as possible between you and other patrons, keeping in mind the recommended 6’ buffer zone.
“After producing ECLIPSED nearly a decade ago, we have been pursuing the rights for THE CONVERT and we couldn’t be more thrilled to embark on this adventure,” says director Wendy Knox. “In some ways, THE CONVERT is a very unFrank play: it’s a big, historical, realistic, three-act play! Thematically, however, it’s right up Frank’s alley. During auditions, I had two actors, who were unfamiliar with Frank’s work, ask why I was doing this play. I answered that I thought the play was an excellent exploration of the roots of white supremacy, and that the play had much to contribute to the larger conversation we are still having, and need to be having today.”
“The Convert is shown…to be a work considering questions of racial, political and religious identity and assimilation with a provocative intelligence …” —The Guardian
“Where do you belong? It’s a question that just about everyone has to face, sooner or later, in Danai Gurira’s The Convert. And the further we go, the more complex that question becomes. It’s a terrific play — a rich, thoughtful, carefully crafted piece..” —The Financial Times
Danai Gurira is an award-winning Zimbabwean American actor and playwright. As a playwright, her works include In The Continuum (OBIE Award, Outer Critics Circle Award, Helen Hayes Award), Eclipsed (NAACP Award; Helen Hayes Award, Best New Play), The Convert (six Ovation Awards, Los Angeles Outer Critics Circle Award), and Familiar, which had its world premiere at Yale Rep in February 2015. Committed to putting the African woman’s experience on stage, all of her works explore the subjective African voice. She is the recipient of the Whiting Award, is a former Hodder Fellow, and has been commissioned by Yale Rep, Center Theatre Group, Playwrights Horizons, and the Royal Court. She is currently developing a pilot for HBO. As an actor, she has appeared in the films The Visitor, Mother of George, 3 Backyards, and the television show Treme, among others. She currently plays Michonne on AMC’s The Walking Dead. She is the co-founder of Almasi Collaborative Arts, which works to give access and opportunity to the African Dramatic Artist. Danai was born in Grinnell, Iowa and raised in Zimbabwe by Zimbabwean parents. She is a graduate from Macalester College and holds an MFA from Tisch School of the Arts, NYU.
Ticket cost: 30 ($25 for students and seniors), PAY WHAT YOU CAN Saturday, Feb. 22